"Facts Tell; Stories Sell"

I'm a bit of a ninny when it comes to navigating my way on the Tube and around London. I'm so thankful for the students who have the knack for it and help seamlessly. 

But today was one of our days to head to Oxford, and I know my way around that city SO well. We had our lecture in a seminar room at Pitt Rivers Museum, which a student aptly called "hodgepodge museum." I mean there are cases generically titled "the human form in art" stuffed with artifacts from disparate eras and areas. Our lecture was with the wonderful Will Allen who gave us the nugget that is today's post title. When advising people on immigration data, he said he always tries to give them a story to take away. 

I had to do a fair amount of in loco parentis-ing today and hope it was helpful. Later, I snoozed off on the bus to students good-naturedly arguing about video games and then dreamt about them. In my dream they were racing each other down the sidewalk and laughing hard and my father watching them from the other side of the street with me, asked me in the indulgent, tender way he has if these were my kids. I guess they are.

Pic: Our class on the steps of the Sheldonian Theater. It is the center of Oxford (and where my diploma ceremony took place!) but the building is important to our class for another reason. It is where Chimamanda Adichie's deservedly viral talk The Danger of a Single Story was recorded.

Multicultural Metropole

Our class went to Metropolitan University for a talk with Sunny Singh today. I had the same soft argument with Sunny as I've previously had with Big A. Sunny and Big A think Ta-Nehisi Coates is being lionized for "doing the bare minimum in speaking out against genocide" while I'm grateful that when so many continue to be silent, he's using his platform and risking his career. 

If I'm all cosmopolitanism this and kumbaya that, Sunny leads with a reckoning of "enslavement, colonialism, and genocide." She was dropping truth bombs and later I had to check in with students who were visibly upset and trembling. One of them said that it just hit them that their taxes would always fund genocides they didn't believe in. Devastating. 

Later a nice meander through Altab Ali Park, Bangladeshi Brick Lane, and Spitalfields Market to round off our morning of multicultural London. 

Pic: A bonus song at the end of Six, when the cast encouraged us to take pictures. It's a weird energy to check out a musical when you're homesick and worried about so many things in the world. But also, I don't know what I'm supposed to do with myself while stranded halfway across the world, doing my job like everything is normal. It's my mom's birthday and I had a nice chat with her--can't say it helped my homesickness or my worry. 

Elgin Marbles and Radcliffe Lines

Pic: With the British Museum dome above us. We talk a lot of trash about The British Museum and their culture of "taking" and "borrowing." But when we're actually there at the museum, the dominant feeling is awe for the sheer wealth of human accomplishment on display.

Choice quotes: "No matter where you're from, you'll feel at home in the British Museum because there will be stuff from your home country there." Ha. 

"You mean to say he just took the stuff from the ancient Greeks and then named it after himself?!" Cf. Elgin

And I can't help thinking how the India-Pakistan discord is the legacy of British misrule, mismanagement, and drawing hasty borderlines. 

"Come What May, We're Here to Stay"

Afternoon lectures today at the University of London via colleagues River Baars and Lola Olufemi. River's lecture was about British Asian Youth Movements (AYMs), and as promised, they "seamlessly" integrated the supreme court decision about Palestine and the biological definition of woman into their lecture. Students were blown away by Lola's radical revisioning of time and multidirectionality. "I feel like my brain grew three sizes," I heard someone comment.

In our morning session we connected the cosmopolitan threads linking a bunch of stuff from Eddy Grant's dancehall hit "Electric Avenue" and the Brixton Uprising to Stokley Carmichael/Kwame Ture sparking the Black resistance in the UK. The cross-cultural solidarities amongst everyone "politically black" in the UK is particularly heartening with British Asian Youth Movements supporting everything from Black Lives Matter to the Bradford 12. Today's post title is one their lasting slogans. But I like the one they borrowed from The Children of Soweto too: Don't Mourn; Organize!" I know that'll play in my head the next time I'm worried about the world.

Pic: A mural at the top of our street with the words "No child should be a part of war. Ever." I expected to get homesick and sad next week, but I'm--inexplicably--already there. AND after I wrote that, I found out from a text DV sent me just now that India and Pakistan are at war. I called my family, and they tried to calm me by saying the south is usually safer. But also that they're having "mock drills" today to prepare. It all feels so surreal.

Eye on London

Pic: It's our tourist-y day with a river cruise and visits to several major London landmarks. A good way to overcome/work off our arrival fatigue and jet lag. Here's the class looking adorable with the London Eye in the background.

I usually have students declaim some of the famous landmark poems at the landmarks. Some of what we read for today included: Louis MacNeice “London Rain,” William Wordsworth “Composed Upon Westminster Bridge 1802,” William Blake “London,” Robert Bridges “Trafalgar Square,”  D. H. Lawrence “Hyde Park at Night, Before the War,” Amy Lowell “A London Thoroughfare at 2 am,” Brian Bilston “They’re Renovating Buckingham Palace,” Evie Shockley “London Bridge,” John Betjeman “Summoned by Bells at St. Paul’s," Theresa Lola “Flagship of Buzz,” and Patience Agabi “The London Eye.”  I especially love how in the final poem there's a glimpse of Wordsworth writing "Westminster Bridge" and the shoutout to the older poem, down to the year 1802 cleverly reconfigured.

In line for tea at the cafe, a Canadian woman told me that she'd canceled her trip to the US and decided to travel to the UK instead. I completely understand. I also understand how kind people use these kinds of conversational gambits to suss out other people's positions and to offer consolation. 

London Blues

Pic 1: Our travel class is called "The Empire Writes Back: Adventures in Cosmopolitan England" and is obviously based on theories of cosmopolitanism. (More the contemporary Appiah-Sen-Nussbaum take on it rather the Greek version, but still.) My nerdy learners, whom I'm so proud of, were excited to tell me that cosmopolitanism had been a Jeopardy answer the day before we left, and that some of them nerded out to their families about it. (Student pic.)

Pic 2: In other nerdy news, I did very well on the trivia contest on the flight and then got a bit nerdier and beat my own high score. (My pic.)

In addition to these two happy pictures in blue, we've had some minor travel woes. There was considerable difficulty finding our transfer coach until the airport marshal helped us. Also, our Oyster cards, which are our main form of transportation inside the city, seem to have a zero balance although they're supposed to last us two weeks. This needs to get figured out tomorrow... but it's a bank holiday and may not. Pfft.

traveling (like) light

 

here, on our way

our connections belonging

only to ourselves 

history's hooks dangling

 carrying instructions

treading eternally in travel

flighty and watery 

brave before memory

yet imagining every thing...

foreign for moments

knowing our effects are light 

yet baggage enough 

for other people to live out 

of them for a lifetime

___________________________ 

Pic 1: Like I did last time, I got everyone identical scarves to loop onto our backpacks so we can ID each other easily. (My pic.)

Pic 2: I'm so grateful for this community of eager learners. They were willing to construct and present on their keywords and concepts in the airport on our long layover. (Pic by our travel chaperone.)